Thursday 9 October 2008

Francois Boucher Adoration of the Shepherds painting

Francois Boucher Adoration of the Shepherds paintingJohannes Vermeer The Concert paintingGustave Courbet The Origin of the World painting
last moment, just as he was beginning to tell them, he always felt such sudden, profound doubt of their sincerity that he did not want to go ahead, but he always felt, too, Maybe they mean it. I f they do, it would be mean not to tell them. So he always told them. “Well,” he always said rather doubtfully, and brought out his name in a peculiarly muffled and shy way (he had come almost to feel that the name itself was being physically hurt, and he did not want it to be hurt again) “Well, it’s Rufus.”
And the instant it was out of his mouth he knew that he had been mistaken once again, that not a single soul of them had meant one thing that he had said, for with that instant every one of them screamed as loudly as he could with a ferocious kind of joy, and it was as if the whole knot exploded and sent its fragments tearing all over the neighborhood, screaming his name with amusement and apparently with some kind of contempt; and many of them screamed, as well, a verse which they seemed to think very funny, though Rufus could not understand why.

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